Name: The Best of Stuart Townend – Live
Price: 11.99 GBP
Availability: InStock

Disc One

Lord I'm Grateful (Grace)
See What A Morning (Resurrection Hymn)
What Wonder Of Grace (My Desire)
Your Love (Pour Over Me)
We Have Sung Our Songs (How Long?)
Oh, To See The Dawn (The Power Of The Cross)
All My Days (Beautiful Saviour)
Oh My Soul Arise And Bless Your Maker
Speak, O Lord
Who Paints The Skies
Lord How Majestic You Are
My Heart Is Filled With Thankfulness
My God
Jesus Is Lord
Joy Has Dawned
The Lord's My Shepherd

Disc Two

My First Love
You're The Word Of God The Father
In Christ Alone
How Deep The Father's Love
With A Prayer (Love Incarnate)
Holy Spirit, How I Love You
From The Squalor (Immanuel)
The King Of Love
Our God Is Strong And Mighty (Breaking Out)
Have Heard (I Won't Let Go)
O Church Arise
For Every Child (Kyrie)
Beloved And Blessed
You Are My Anchor (The Father's Embrace)
Giver Of Grace (You Are Good To Me)

"What really strikes you is the scope of Stuart's writing"

If you are looking for the definitive Stuart Townend album, this has to be it. 31 (yes, 31) tracks of live worship from various events Stuart has been part of down the years, including Stoneleigh, Worship Together, the Mandate, and many more.

What really strikes you is the scope of Stuart’s writing. All the established classics are here, from “How deep the Father’s love” to “Psalm 23”, “Beautiful Saviour” to “In Christ alone” . But there are more gems to discover: the Abbey Road live versions of “Kyrie” and “My God”, for example; and some less well-known songs such as “Giver of grace”, “You are my Anchor” and the beautiful “O my soul, arise and bless your Maker”. And for those who have never come across the haunting “How long?” should be prepared to be affected by some of the most moving worship lyrics of recent years.

Those who have become acquainted with Stuart’s music more recently will find a whole wealth of further material for their own and their church’s environment. Serious Townend aficienados will just enjoy having all these songs in one collection, recorded in the context they were meant to be heard and used – live.

Andrew Sutton